Smoke and Mirrors
~ 2019
~ Details
| Catalogue | VIV-1646 |
| Status | For Sale |
| Title | Smoke and Mirrors |
| Year | 2019 |
| Artist | Monique Lacey - Profile |
| Medium | Cardboard, plaster, resin, paint, bronze pulver |
| Size | 230 x 320 x 160 mm |
| Editions | 1 |
~ Monique Lacey
~ Works by Monique Lacey
Click the button If you would like to know when new works are available by Monique Lacey.
VIV-1641
'Let's Pretend It Never Happened' , 2019
Cardboard, Plaster, Paint, Resin, Studio Detritus
230 x 320 x 160mm
VIV-1646
'Smoke and Mirrors' , 2019
Cardboard, plaster, resin, paint, bronze pulver
230 x 320 x 160mm
VIV-1665
'The Shallow End (Dyptich)' , 2019
Cardboard, rubber, resin, paint, pigment
1080 x 530 x 100mm
VIV-1668
'The weight of the world' , 2019
Cardboard, plaster, resin, paint, pigment, plinth
750 x 750 x 750mm
VIV-2036
'The Cup Is Half Full No 1 (lower work)' , 2019
Cardboard, plaster, paint, resin (lower work). Available as a diptych with No. 2 $4400
220 x 260 x 160mm
VIV-2048
'The Cup Is Half Full No 2 (upper work)' , 2019
Cardboard, plaster, paint, resin (upper work). Available as a diptych with No. 1 $4400
220 x 260 x 160mm
VIV-2049
'Trying To Contain The Middle Aged Spread' , 2019
Cardboard, plaster, paint, resin
230 x 320 x 180mm
SOLD
VIV-2050
'The Strong And Silent Type' , 2019
Cardboard, plaster, paint, resin
200 x 310 x 160mm
VIV-2053
'If Cat Woman's Costume Was Made Out Of Lycra' , 2019
Cardboard, plaster, resin, paint
230 x 230 x 230mm
SOLD
VIV-2189
'And he basked in the reflection of his self-proclaimed glory' , 2020
Paper bag, plaster, resin, rubber, metallic paint, pigment.
1104 x 860 x 50mm
VIV-2193
'The Emperor's New Clothes' , 2020
Cardboard, resin, pigment. bronze pulver
20 x 470 x 250mm
VIV-2194
'Full of Hot Air' , 2020
Paper bag, resin, paint, plaster, bronze pulver
900 x 1200 x 600mm
VIV-2201
'Herd Mentality' , 2020
Cardboard, resin, plaster, paint (PRICED PER PIECE)
220 x 220 x 130mm
~ Monique Lacey
NZ, (b. 1970)
~ Monique Lacey’s practice literally crushes the traditions of modernism ~ reversing the typical ethos of form over function ~ idealism over reality ~ and order over chaos.
It is no accident that Monique crushes most of her work with her body. A physical manifestation of the rejection of so much which has isolated and marginalised women artists for entire millennia. Yet there is there little angst, and often lots of witty humour, in these works, which stand alone as mini monuments to the very uselessness of art.
